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But on this picture, the beauty of which is undeniable, Mickey (the barbarian) looks with disfavor. "Do you mean to tell me that I don't care for you?" says Rodney, quickly. "I would, of course, with pleasure," stammers the unfortunate Nolly,—"only perhaps Violet heard it before!".

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He does not see Mona until he is within a yard of her, a thick bush standing between him and her. Being always a creature of impulse, she has stood still on seeing him, and is lost in wonder as to who he can be. One hand is lifting up her gown, the other is holding together the large soft white fleecy shawl that covers her shoulders, and is therefore necessarily laid upon her breast. Her attitude is as picturesque as it is adorable. "I don't see why I shouldn't put in a month there very comfortably," says Geoffrey, indolently, pulling the ears of a pretty, saucy little fat terrier that sits blinking at him, with brown eyes full of love, on a chair close by. "And it will be something new to go to Ireland, at all events. It is rather out of the running these times, so probably will prove interesting; and at least there is a chance that one won't meet every town acquaintance round every corner. That's the worry of going abroad, and I'm heartily sick of the whole thing." Rodney's breath is coming more quickly, and he is conscious of a desire to stop and pull himself together—if only for a minute—before bracing himself for a second effort. But to Mona, with her fresh and perfect health, and lithe and lissom body, and all the rich young blood that surges upward in her veins, excitement serves but to make her more elastic; and with her mind strung to its highest pitch, and her hot Irish blood aflame, she runs easily onward, until at length the road is reached that is her goal. "Don't say it! don't!" cries Mona, in an agony, stopping his mouth with her hand. "Do not! Yes, I give in. I will go with you. I will marry you any time you like, the sooner the better,"—feverishly; "anything to save your life!".